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Seeking Beauty - LiveJournal.com

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    Selbstbildnis im Profil,1923
    Selbstbildnis,1949








    ***
    Brustbild des Malers Hans Dieter im Profil von links.



    Portrait einer alten Frau




    Portrait einer jungen Meersburgerin mit goldener Radhaube auf einer Brüstung über dem See




    Dame am Rosenhag



    Atelier im Alten Schloss (Meersburg). Junge Frau an der Staffelei.



    Looking at the Morning Sun.




    ***
    Selbstportrait im Profil mit Narrenkappe, als Seifenbläser über dem See





    'Opferung'. Symbolistische Komposition: Von Hans Dieter als Satyr und einem zwielichtigen Burschen beobachtet, schreiten die weiß gekleideten Nymphen, flankiert von Papageien, zum Opferfeuer am See.




    Adam und Eva, im Hintergrund abendliche Bodenseelandschaft



    Einer, der seiner Wege geht



    Morgengruß. Männlicher Rückenakt vor aufgehender Sonne.




    Sitzende alte Frau auf Baumstumpf vor abendlichem Wolkenhintergrund




    Horchender Mann




    ***
    'Bodensee, Triptychon (Kind und Hund)'






    Musikanten und zwei Frauen am Ufer des Bodensees (Überlinger See) an einem Frühsommertag





























    ***
    Sonnentag am Untersee (Bodensee) mit Segelboot. Aquarell über Kreide. 28,5 x 35 cm




    ***





    ***


    Auktionshaus Michael Zeller


    http://de.wikipedia.org/wiki/Hans_Dieter



    This entry was originally posted at http://elle-belle.dreamwidth.org/1795349.html. Please comment there using OpenID.

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    Генрих Фогелер-немецкий художник и философ, представитель немецкого югендстиля (модернизма).
    Родился в Бремене 12 декабря 1872 года. В 1890—1895 годах посещал дюссельдорфскую Академию художеств. В 1895 году обосновался в деревне Ворпсведе (близ Бремена). Позднее (в 1918) с Ф. Макензеном, О. Модерсоном и другими стал основателем колонии художников и был одним из её духовных лидеров.




    Das Konzert (Sommerabend), 1905
    Links: Paula Modersohn-Becker, Agnes Wulf, Otto Modersohn, Clara Rilke-Westhoff, (Rainer Maria Rilke fehlt)
    Mitte: Martha Vogeler (mit Hund),
    Rechts: Franz Vogeler (mit Querflöte), Martin Schröder (mit Viola), Heinrich Vogeler (mit Cello, halb verdeckt)



    До 1908 года работал, используя собственные чертежи, над перестройкой своего дома в Баркенхофе. Дружил с Рильке, работал над оформлением журнала символистов «Остров» («Die Insel»). Совершил путешествие на Цейлон в 1906 году. Для изучения концепций «города-сада» побывал в 1909 году в Англии.

    В годы Первой мировой войны занимал антивоенные позиции, затем вступил в Коммунистическую партию Германии. В 1920-е годы несколько раз бывал в Советском Союзе, куда окончательно переехал в 1931 году.

    В сентябре 1941 года его, как немца, депортировали в Казахскую ССР, где он и скончался в Корнеевке в 1942 году.
    ***
    Heinrich Vogeler-German painter, architect, designer and writer

    Heinrich Vogeler by Oskar Zwintscher



    Heinrich Vogeler (1872-1942) was born in Bremen, and studied at the Kunstakademie Düsseldorf from 1890–95. His artistic studies during this period included visits to Belgium and Italy.Vogeler was a central member of the original artist colony in Worpswede, which he joined in 1894. In 1895 Vogeler bought a cottage there and planted many birch trees around it, which gave the house its new name: Barkenhoff (Low German for Birkenhof, or “birch tree cottage”). Schröder.

    Selbstbildnis mit Schottenkappe 1909;Selbstbildnis ca.1900




    Selbstbildnis - 1914



    He made book illustrations and executed decorative paintings for the town hall of Bremen shortly before traveling to Ceylon in 1906. In 1908 he and his brother Franz founded the ‘Worpsweder Werkstätte’, which produced household objects. His paintings increasingly reflected his sympathy for the working class.
    He volunteered for military service in World War I in 1914, and he was sent to the eastern front in 1915. After he made a written appeal for peace to the German Emperor, he was briefly sent to a mental hospital in Bremen before being discharged from military service. After the war he became a pacifist and joined the Communist Party of Germany (KPD).
    It was at that time that he and his wife Martha were divorced. From that point on, he wanted to work ideologically, and the romanticism of his earlier work gave way to proletariancontent. In 1931 Vogeler and his second wife, Sonja Marchlewska, emigrated to Russia. He was deported in 1941 to Kazakhstan by Soviet authorities, and died there in 1942.


    Heinrich Vvogeler and his wife Martha
    Martha Schröder and Heinrich Vogeler, ca. 1908




    Portrait Sonja Marchlewska 1922;1923



    Nicola Perscheid - Heinrich Vogeler um 1924




    ***
    Barkenhoff im Schnee. ca.1910 Öl auf Leinwand. 60,5 x 70 cm. Privatbesitz



    Frühlingshecken im Bauerngarten 1913



    Die blaue Stunde (Barkenhoff). 1914



    Sommergarten. 1913 Öl und Eitempera auf Pappe, 40 x 54 cm, Kunsthalle Bielefeld



    Heinrich Vogeler-Mein Garten, 1904



    Der Barkenhoff, 1904 von Vogeler gemalt







    Das Konzert (Sommerabend), 1905
    1905- zu Paula Modersohn-Becker-zu Rainer Maria Rilke
    Vogeler stellt sein bekanntes großformatiges Gemälde "Das Konzert" (oder "Sommerabend") vor, das im Rahmen eines Konzertes den Worpsweder Freundeskreis darstellt. Das Gemälde wird in Oldenburg anlässlich der Nordwestdeutschen Kunstausstellung gezeigt und Vogeler bekommt dafür die Große Medaille für Kunst und Wissenschaft - ein Höhepunkt der ersten Schaffenszeit.



    Das Original ist 175x310 cm groß und hängt in der Großen Kunstschau Worpswede.
    Mit freundlicher Genehmigung von Haus im Schluh und VG WortBild

    Links: Paula Modersohn-Becker, Agnes Wulf, Otto Modersohn, Clara Rilke-Westhoff, (Rainer Maria Rilke fehlt)
    Mitte: Martha Vogeler (mit Hund),
    Rechts: Franz Vogeler (mit Querflöte), Martin Schröder (mit Viola), Heinrich Vogeler (mit Cello, halb verdeckt)












    Otto Modersohn



    Martha Vogeler und Paula Modersohn-Becker im Garten schlafend c1904



    ***
    Martha von Hembarg (Mädchenkopf), 1894



    Frühling, 1897



    Frühlingsabend,1901



    Martha Vogeler im Barkenhoff 1901




    Erster Sommer, 1902



    Frühling 1909



    Aktporträt Martha Vogeler 1910





    http://de.wikipedia.org/wiki/Martha_Vogeler


    ***

    Mädchen mit Katze 1914



    https://commons.wikimedia.org/wiki/Category:Heinrich_Vogeler%27s_family


    http://www.heinrich-vogeler.net/kuenstlerisches-werk/
    http://commons.wikimedia.org/wiki/Category:Paintings_by_Heinrich_Vogeler
    http://www.theviennasecession.com/vogeler-heinrich/


    This entry was originally posted at http://elle-belle.dreamwidth.org/1795620.html. Please comment there using OpenID.

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    Часть 2:"Как хорошо все начиналось..."


    Sehnsucht (Träumerei) ca.1900




    Die Erwartung (Träume II) 1912






    Longing, 1907;Frühling, 1897





    Verkündigung 1901





    Verkündigung an die Hirten 1902



    Träume 1911




    Tanzende Kinder 1913




    Melusine Tritychon ca.1910











    ***
    Abendsonne im Moor,1903





    Wintermärchen (Die Heiligen Drei Könige) 1897



    ***
    Dame in Weiß, 1907




    Portrait der Johanna Schulze,1914




    ***
    http://www.museum-modersohn.de/Heinrich-Vogeler.15.0.html




    ***

    Maiglöckchen



    Maiglöckchen (Lily of the valley




    *** *** ***
    Baku,1927




    Zentraler Park Maxim Gorki 1933




    Labor Camp Petrosavodsk,1934



    Das Dritte Reich, 1934




    Usbekische Baumwollarbeiter



    Mondnacht in der usbekischen Wüste,1940



    Tyrnyaus-Kombinat Neues Städtchen in Kabardino Balkarien c1940



    This entry was originally posted at http://elle-belle.dreamwidth.org/1796077.html. Please comment there using OpenID.

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    October




    Mystic Fall (1921-1929)




    ***
    Spring in the Forest
    - circa 1925




    This entry was originally posted at http://elle-belle.dreamwidth.org/1796204.html. Please comment there using OpenID.

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    Edward Wilkins Waite RBA (1854-1924)
    Autumn Colouring (‘When yellow leaves, or none, or few, do hang upon these boughs’),1894



    The mellow year is hastening to its close




    This entry was originally posted at http://elle-belle.dreamwidth.org/1796413.html. Please comment there using OpenID.

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    Theodore Penleigh Boyd (Australian, 1890-1923)

    The White Gum, 1921.



    Ghost Gum at Kangaroo Flat, 1921.




    Ghost Gums & Figure



    Hawkesbury River, 1922




    Woodcutter`s Cottage




    Spring, 1910



    ***

    Bronze Horse Fountain, 1912



    Venice, 1912.



    This entry was originally posted at http://elle-belle.dreamwidth.org/1796706.html. Please comment there using OpenID.

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    HERBSTLAUB (AUTUMN LEAVES)
    oil on canvas;77 by 52cm



    "In the present work the vivid luminosity reflected by the foliage in the autumnal bouquet is particularly stunning, and perfectly offset by the more muted background visible through the window beyond. The thick, energetic brushstrokes and brilliant palette capture the beauty of the foliage, punctuated by the clematis seedheads and wild berries." Sotheby's



    EIN WILDBLUMENSTRAUSS (A SPRAY OF WILD FLOWERS)
    oil on panel ; (16.5 x 26 cm.)
    Christie's




    Stiefmütterchen und Schmetterlinge,1926
    Öl auf Holz, 28 x 37 cm
    Dorotheum



    STILL LEBEN MIT STIEFMÜTTERCHEN (STILL LIFE WITH PANSIES)



    ***
    Together with Tina Blau and Marie Egner Olga Wisinger-Florian was one of the most successful female Viennese painters of the late 19th century. Having initially trained as a concert pianist, a hand injury prompted her – aged 30 - to explore painting as an alternative career in the mid-1870s. After taking private lessons from the landscape painter Melchior Fritsch and studying for three years under August Schaeffer at the Vienna academy, she became a private pupil of Emil Jakob Schindler in 1880. Together with her teachers and co-disciples Marie Egner and Carl Moll, Olga Wisinger-Florian went on study trips to Lundenburg and Goisern, and later to Dalmatia and Montenegro, Italy and Paris. From 1881 she regularly showed paintings at the annual exhibitions mounted at the Vienna Künstlerhaus and later also at the Viennese Secession exhibitions. Work she showed at the Paris and Chicago international exhibitions in the 1890s earned her worldwide acclaim.

    Wisinger-Florian's early paintings can be assigned to what is known as Austrian mood Impressionism (Stimmungs-Impressionismus). In her early landscape paintings she adopted Schindler's approach to nature. Her motifs from this period, flowering fields and meadows, tree-lined avenues and gardens in full bloom were strongly reminiscent of her teacher's work. After breaking with Schindler in 1885, however, Olga Wisinger-Florian went her own way, and her depictions of landscapes became more realistic. Her late work is notable for its progressive, vivid, expressionist palette that was very much ahead of its time.

    In the late 1880s Wisinger-Florian started specialising in flower still lifes. Her depictions of flower bouquets before a naturalistic backdrop and flower studies within landscapes from this period count among her best paintings.

    In the present work the vivid luminosity reflected by the foliage in the autumnal bouquet is particularly stunning, and perfectly offset by the more muted background visible through the window beyond. The thick, energetic brushstrokes and brilliant palette capture the beauty of the foliage, punctuated by the clematis seedheads and wild berries.

    http://www.sothebys.com/en/auctions/ecatalogue/2013/european-paintings-l13101/lot.213.html

    ***

    Marie Egner (Austrian, 1850-1940)
    http://elle-belle10.livejournal.com/1914998.html

    This entry was originally posted at http://elle-belle.dreamwidth.org/1797012.html. Please comment there using OpenID.

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    Blühender Löwenzahn




    Pfingststrauß



    Sommertag im Prater




    SONNTAG IM PRATER (SUNDAY IN THE PRATER GARDENS)




    Birken bei der Rotunde



    Kanal in Friesland




    Aus dem Prater





    This entry was originally posted at http://elle-belle.dreamwidth.org/1797175.html. Please comment there using OpenID.

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    Autumn Bouquet
    Watercolour



    Из архива ЖЖ





    In der Pergola, um 1910.







    Blumenstück, um 1890
    Öl auf Leinwand 15,6 x 22,5 cm



    In The Blossoming Bower





    ***
    Altes Gemäuer




    Partie bei Fiume



    Motiv von der Insel Rab





    Burg und Dörrofen



    Anzbach Arkadenhof



    Ziegelbrücke mit einer Steinfigur Mödling 1899







    This entry was originally posted at http://elle-belle.dreamwidth.org/1797447.html. Please comment there using OpenID.

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    Nature morte d'Eté ,1963
    signed 'L. Foujita' (lower right)
    oil on canvas ; (55 x 46.1 cm.)



    Roses, 1958 Lithographie en couleurs sur vélin;Roses,1955



    FLEURS
    Oil on canvas; 1963




    FLEURS: A TWO-PANEL SCREEN




    Fleurs (volubilis), 1964



    LES FLEURS
    Aquarelle et encre sur papier



    Tulipes
    Mine de plomb et aquarelle sur feuille de croquis




    CHRYSANTHEMES
    Gouache sur papier



    Flowers, Dahlias,1921
    Private collection




    Les Dahlias. 1921.




    Poppies in a Yellow Jug (1917)
    gouache, watercolour and brush and black ink on paper 40.9 x 32.8 cm
    Private collection





    This entry was originally posted at http://elle-belle.dreamwidth.org/1797698.html. Please comment there using OpenID.

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    Dreamland






    Waterlily aka Ophelia (1900) was one of Barney's illustrations for her daughter's chapbook. The model was Barney's niece Ellen Goin.



    Lunar,1921



    Medusa (Laura Dreyfus Barney)1892




    Lucifer (Natalie Clifford Barney)1902




    Firelight,1900



    The Necklace,1898



    ***
    http://www.museumsyndicate.com/artist.php?artist=763
    http://it.wikipedia.org/wiki/Laura_Clifford_Barney
    http://commons.wikimedia.org/wiki/Category:Alice_Pike_Barney

    This entry was originally posted at http://elle-belle.dreamwidth.org/1798120.html. Please comment there using OpenID.

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    ©Hiroyuki Masuyama


    "Still life, Daniel Seghers No.06", 2013 LED Lightbox



    Still life, Herman Henstenburgh





    "Still life, Daniel Seghers No.04" 2013



    Still life, Daniel Seghers No.05" 2013



    Still life, Daniel Seghers No.01 2012



    "Still life, Daniel Seghers No.02" 2012




    "Still life, Daniel Seghers No.03" 2012




    ***

    Still life, Herman Henstenburgh No.01 2013



    Still life, Herman Henstenburgh No.02 2013





    This entry was originally posted at http://elle-belle.dreamwidth.org/1798178.html. Please comment there using OpenID.

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  • 11/04/14--02:33: Alix Aymé (1894-1989) P.2
  • Le Bouquet de Babette
    Reverse painting on glass with tempera and gold leaf







    ***
    The red vase,1940's,
    Lacquer with gold leaf



    part 1
    http://elle-belle10.livejournal.com/1910895.html

    ***

    Young Woman by a Window; A Vase of Gladiolas
    Lacquer and gold leaf on wooden panel



    A Woman Reading to a Young Girl
    Lacquer and gold leaf on wooden panel




    ***
    Portrait d’un jeune garçon
    Aquarelle sur soie
    31 x 26 cm




    Portrait d’enfants
    Aquarelle sur soie
    41 x 31 cm




    ***
    http://www.fc-fineart.com/mp.php?rqs=166

    This entry was originally posted at http://elle-belle.dreamwidth.org/1798520.html. Please comment there using OpenID.

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    Anne-Louis Girodet de Roussy-Trioson (1767 –1824)

    Spring




    Summer



    Autumn ; Persephone



    Winter





    This entry was originally posted at http://elle-belle.dreamwidth.org/1798682.html. Please comment there using OpenID.

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    Bild in Weiß Schwarz,1904
    oil on canvas;Vienna Museum






    La transfiguration de sainte Elisabeth
    Quimper, Musée des Beaux-Arts




    A Night Fairy



    Day and Twilight-Tag und Dämmerung
    oil on canvas,126 by 55.5cm
    Sotheby's



    The Offering
    tempera on canvas,162.5 by 82cm.
    Sotheby's




    L'Offrande ou Miracle des roses
    Quimper, Musée des Beaux-Arts





    Executed circa 1900, the present work relates to another version of The Offering, in the collection of the Musée des Beaux-Arts de Quimper, France. The latter was lent to the 1986 exhibition Vienne 1880-1938, l'Apocalypse joyeuse, organised by the Centre Pompidou, Paris, and is also illustrated in the exhibition catalogue Le Symbolisme en Europe (Grand Palais, Paris, 1976, no. 96, p. 111). The white roses traditionally symbolise monastic wisdom. The woman making the offering appears to be in a trance. Wearing the robe of an esoteric priestess, her holy status is further underlined by her halo.

    Wilhelm List was a pupil of Christian Griepenkerl at the Vienna Academy and, together with Gustav Klimt, a founding member and leading figure of the Vienna Secession in 1897. He published the journal of the Secession, Ver Sacrum, and also executed many designs for this journal. At the turn of the century List's paintings increasingly delved into an imaginary world of fantasy. He took part in all the annual exhibitions of the Secession from the first in 1898 to the last in 1905, when he, together with Klimt and a group of artists around them left the Secession because of misgivings over the commercial policies of their new sponsor, Paul Bacher.
    List was one of the closest of Gustav Klimt's followers in the Secession. While close to Klimt in style and subject matter, his symbolist paintings generally tended to be more dreamlike and detached, as evident in the present work.

    http://www.sothebys.com/de/auctions/ecatalogue/lot.268.html/2007/19th-century-paintings-including-spanish-painting-and-symbolism-the-poetic-vision-l07103

    ***
    A woman in profile
    oil on canvas;84 x 40 cm.
    Sotheby's




    A portrait of Mevrouw Nijhoff-Seldorff, full length
    oil on canvas, 183,5 x 65 cm
    Sotheby's



    Apollon Charmant les Cygnes-APOLLO UND DIE SCHWÄNE
    oil on canvas
    Sotheby's



    ***
    Magnolia



    ***
    Flowers in a blue vase
    Watercolour, 29 x 25 cm
    Private Collection




    This entry was originally posted at http://elle-belle.dreamwidth.org/1798997.html. Please comment there using OpenID.

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    Muata Höck beim Spinnen, 1951



    Blumen-detail



    Stilleben vor einem Fenster
    Die Belauschung




    ***
    Mutter des Künstlers, 1908




    Little red riding hood
    oil on panel,66 x 80 cm



    ***

    Die Andacht,Pastel on Paper,45.5 x 44 cm



    St. James -Hl. Jakobus




    Lilies-(Portrait de femme aux lys)
    oil on canvas,113.3 by 58.4 cm
    Sotheby's




    Die Belauschung
    Anfang 20. Jahrhundert
    Öl auf Leinwand; 68 × 63,5 cm




    ***
    Susannah after her bath




    ***

    Damenportrait (+ Herrenportrait; pair), 1909–1910




    Sambethe,oil stick on paper
    Zigeunerin,Chalk



    ***

    Stillleben mit Rosen, Krug und Buch; Blumen





    Blumen
    Gwmalt mit Wassefarben auf bräunlichem Papier
    27,5x35,5 cm




    ***
    Kempf Postcard Published by Philipp & Kramer




    This entry was originally posted at http://elle-belle.dreamwidth.org/1799365.html. Please comment there using OpenID.

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    Pierre Amédée Marcel-Béronneau (French, 1869–1937)







    PARFUM CARENANTS
    coloured chalks,Sotheby's London



    FEMME AU PARFUME
    oil on canvas;Sotheby's London




    ***
    Le songe d'Orphée
    aquarelle et gouache
    Christie's Paris




    ORPHEE ET EURIDICE
    oil on canvas 88.5 by 156.5cm
    Sotheby's London



    Ange au milieu des ruines
    pierre noire, aquarelle, gouache et huile sur papier marouflé sur carton,99 x 63 cm
    Christie's Paris




    ***
    Salomé. 1934.
    Oil on panel,Koller Auctions




    SALOMÉ
    Oil on canvas,54 cm x 65 cm




    Salome,1905, oil on canvas,178 by 115cm
    Sotheby's London



    Painted in 1905, it is likely that Germaine Marchant was the model for Salome. Having fallen deeply in love with her, Marcel-Béronneau painted her obsessively in his pursuit of the representation of the femme fatale. They were married in 1918.



    La Datura
    oil on canvas 85 by 81cm
    Sotheby's London




    Gorgone
    huile sur toile,72,5 cm, larg. 58 cm
    Sotheby's Paris



    Diane
    oil on canvas,Sotheby's London




    "Portrait Of A Lady With A Scarf"
    coloured chalks
    Sotheby's London



    Pergola



    CHERRY TREES IN A LANDSCAPE





    This entry was originally posted at http://elle-belle.dreamwidth.org/1799576.html. Please comment there using OpenID.

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    My past dreams
    oil on panel,Christie's New York



    The Redeeming Light;Still Life:Lithograph




    When autumn comes
    oil on panel,Sotheby's New York



    When autumn is here




    Celestial Visitant
    oil on board,82 × 64.1 cm;Christie's New York





    Vanishing hopes,1932
    oil on panel,Christie's New York




    Oriental Still Life




    Forgotten Divinity
    Sotheby's New York




    A Rare Keepsake (No.57) detail
    oil on canvas,27 x 21in





    Sacred treasures
    oil on panel,32 x 26in



    A XVth Century Group
    oil on panel,33 x 25in



    Rain God
    oil on board




    Cherished echoes
    Color lithograph



    This entry was originally posted at http://elle-belle.dreamwidth.org/1799801.html. Please comment there using OpenID.

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    Dreams



    A page from Omar Khayyam
    Sotheby's New York



    Songs from India
    Oil on board
    John Moran Auctioneers, Inc.



    Rose Of Shiraz; Wife Of The Sheik




    Reflections
    Oil on panel,(21.6 x 27.3 cm)
    Private collection



    Reflections
    Heritage Auction Galleries, Dallas
    Oil on panel




    Harmony in Silver and Green




    A Memento of Old Madrid



    This entry was originally posted at http://elle-belle.dreamwidth.org/1799991.html. Please comment there using OpenID.

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    Still Life with Chrysanthemums 1896



    Rhages Jar c.1911
    The Mandarin Beads, 1915



    Still Life with Chrysanthemums 1898



    Still Life of Chrysanthemums in a Canton Vase 1893




    in an Oriental Vase



    Chrysanthemums in a Canton Vase




    Spider Dahlias



    This entry was originally posted at http://elle-belle.dreamwidth.org/1800409.html. Please comment there using OpenID.

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