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Hans Dieter (German, 1881-1968)

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Selbstbildnis im Profil,1923
Selbstbildnis,1949








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Brustbild des Malers Hans Dieter im Profil von links.



Portrait einer alten Frau




Portrait einer jungen Meersburgerin mit goldener Radhaube auf einer Brüstung über dem See




Dame am Rosenhag



Atelier im Alten Schloss (Meersburg). Junge Frau an der Staffelei.



Looking at the Morning Sun.




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Selbstportrait im Profil mit Narrenkappe, als Seifenbläser über dem See





'Opferung'. Symbolistische Komposition: Von Hans Dieter als Satyr und einem zwielichtigen Burschen beobachtet, schreiten die weiß gekleideten Nymphen, flankiert von Papageien, zum Opferfeuer am See.




Adam und Eva, im Hintergrund abendliche Bodenseelandschaft



Einer, der seiner Wege geht



Morgengruß. Männlicher Rückenakt vor aufgehender Sonne.




Sitzende alte Frau auf Baumstumpf vor abendlichem Wolkenhintergrund




Horchender Mann




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'Bodensee, Triptychon (Kind und Hund)'






Musikanten und zwei Frauen am Ufer des Bodensees (Überlinger See) an einem Frühsommertag





























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Sonnentag am Untersee (Bodensee) mit Segelboot. Aquarell über Kreide. 28,5 x 35 cm




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Auktionshaus Michael Zeller


http://de.wikipedia.org/wiki/Hans_Dieter



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History of Art:Heinrich Vogeler (German,1872-1942)

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Генрих Фогелер-немецкий художник и философ, представитель немецкого югендстиля (модернизма).
Родился в Бремене 12 декабря 1872 года. В 1890—1895 годах посещал дюссельдорфскую Академию художеств. В 1895 году обосновался в деревне Ворпсведе (близ Бремена). Позднее (в 1918) с Ф. Макензеном, О. Модерсоном и другими стал основателем колонии художников и был одним из её духовных лидеров.




Das Konzert (Sommerabend), 1905
Links: Paula Modersohn-Becker, Agnes Wulf, Otto Modersohn, Clara Rilke-Westhoff, (Rainer Maria Rilke fehlt)
Mitte: Martha Vogeler (mit Hund),
Rechts: Franz Vogeler (mit Querflöte), Martin Schröder (mit Viola), Heinrich Vogeler (mit Cello, halb verdeckt)



До 1908 года работал, используя собственные чертежи, над перестройкой своего дома в Баркенхофе. Дружил с Рильке, работал над оформлением журнала символистов «Остров» («Die Insel»). Совершил путешествие на Цейлон в 1906 году. Для изучения концепций «города-сада» побывал в 1909 году в Англии.

В годы Первой мировой войны занимал антивоенные позиции, затем вступил в Коммунистическую партию Германии. В 1920-е годы несколько раз бывал в Советском Союзе, куда окончательно переехал в 1931 году.

В сентябре 1941 года его, как немца, депортировали в Казахскую ССР, где он и скончался в Корнеевке в 1942 году.
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Heinrich Vogeler-German painter, architect, designer and writer

Heinrich Vogeler by Oskar Zwintscher



Heinrich Vogeler (1872-1942) was born in Bremen, and studied at the Kunstakademie Düsseldorf from 1890–95. His artistic studies during this period included visits to Belgium and Italy.Vogeler was a central member of the original artist colony in Worpswede, which he joined in 1894. In 1895 Vogeler bought a cottage there and planted many birch trees around it, which gave the house its new name: Barkenhoff (Low German for Birkenhof, or “birch tree cottage”). Schröder.

Selbstbildnis mit Schottenkappe 1909;Selbstbildnis ca.1900




Selbstbildnis - 1914



He made book illustrations and executed decorative paintings for the town hall of Bremen shortly before traveling to Ceylon in 1906. In 1908 he and his brother Franz founded the ‘Worpsweder Werkstätte’, which produced household objects. His paintings increasingly reflected his sympathy for the working class.
He volunteered for military service in World War I in 1914, and he was sent to the eastern front in 1915. After he made a written appeal for peace to the German Emperor, he was briefly sent to a mental hospital in Bremen before being discharged from military service. After the war he became a pacifist and joined the Communist Party of Germany (KPD).
It was at that time that he and his wife Martha were divorced. From that point on, he wanted to work ideologically, and the romanticism of his earlier work gave way to proletariancontent. In 1931 Vogeler and his second wife, Sonja Marchlewska, emigrated to Russia. He was deported in 1941 to Kazakhstan by Soviet authorities, and died there in 1942.


Heinrich Vvogeler and his wife Martha
Martha Schröder and Heinrich Vogeler, ca. 1908




Portrait Sonja Marchlewska 1922;1923



Nicola Perscheid - Heinrich Vogeler um 1924




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Barkenhoff im Schnee. ca.1910 Öl auf Leinwand. 60,5 x 70 cm. Privatbesitz



Frühlingshecken im Bauerngarten 1913



Die blaue Stunde (Barkenhoff). 1914



Sommergarten. 1913 Öl und Eitempera auf Pappe, 40 x 54 cm, Kunsthalle Bielefeld



Heinrich Vogeler-Mein Garten, 1904



Der Barkenhoff, 1904 von Vogeler gemalt







Das Konzert (Sommerabend), 1905
1905- zu Paula Modersohn-Becker-zu Rainer Maria Rilke
Vogeler stellt sein bekanntes großformatiges Gemälde "Das Konzert" (oder "Sommerabend") vor, das im Rahmen eines Konzertes den Worpsweder Freundeskreis darstellt. Das Gemälde wird in Oldenburg anlässlich der Nordwestdeutschen Kunstausstellung gezeigt und Vogeler bekommt dafür die Große Medaille für Kunst und Wissenschaft - ein Höhepunkt der ersten Schaffenszeit.



Das Original ist 175x310 cm groß und hängt in der Großen Kunstschau Worpswede.
Mit freundlicher Genehmigung von Haus im Schluh und VG WortBild

Links: Paula Modersohn-Becker, Agnes Wulf, Otto Modersohn, Clara Rilke-Westhoff, (Rainer Maria Rilke fehlt)
Mitte: Martha Vogeler (mit Hund),
Rechts: Franz Vogeler (mit Querflöte), Martin Schröder (mit Viola), Heinrich Vogeler (mit Cello, halb verdeckt)












Otto Modersohn



Martha Vogeler und Paula Modersohn-Becker im Garten schlafend c1904



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Martha von Hembarg (Mädchenkopf), 1894



Frühling, 1897



Frühlingsabend,1901



Martha Vogeler im Barkenhoff 1901




Erster Sommer, 1902



Frühling 1909



Aktporträt Martha Vogeler 1910





http://de.wikipedia.org/wiki/Martha_Vogeler


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Mädchen mit Katze 1914



https://commons.wikimedia.org/wiki/Category:Heinrich_Vogeler%27s_family


http://www.heinrich-vogeler.net/kuenstlerisches-werk/
http://commons.wikimedia.org/wiki/Category:Paintings_by_Heinrich_Vogeler
http://www.theviennasecession.com/vogeler-heinrich/


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History of Art:Heinrich Vogeler (German,1872-1942)-P.2

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Часть 2:"Как хорошо все начиналось..."


Sehnsucht (Träumerei) ca.1900




Die Erwartung (Träume II) 1912






Longing, 1907;Frühling, 1897





Verkündigung 1901





Verkündigung an die Hirten 1902



Träume 1911




Tanzende Kinder 1913




Melusine Tritychon ca.1910











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Abendsonne im Moor,1903





Wintermärchen (Die Heiligen Drei Könige) 1897



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Dame in Weiß, 1907




Portrait der Johanna Schulze,1914




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http://www.museum-modersohn.de/Heinrich-Vogeler.15.0.html




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Maiglöckchen



Maiglöckchen (Lily of the valley




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Baku,1927




Zentraler Park Maxim Gorki 1933




Labor Camp Petrosavodsk,1934



Das Dritte Reich, 1934




Usbekische Baumwollarbeiter



Mondnacht in der usbekischen Wüste,1940



Tyrnyaus-Kombinat Neues Städtchen in Kabardino Balkarien c1940



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Seasons:Maurice Braun (American,1877-1941)

Edward Wilkins Waite RBA (1854-1924)

Theodore Penleigh Boyd (Australian, 1890-1923)

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Theodore Penleigh Boyd (Australian, 1890-1923)

The White Gum, 1921.



Ghost Gum at Kangaroo Flat, 1921.




Ghost Gums & Figure



Hawkesbury River, 1922




Woodcutter`s Cottage




Spring, 1910



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Bronze Horse Fountain, 1912



Venice, 1912.



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Olga Wisinger-Florian ( Austrian,1844-1926 )

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HERBSTLAUB (AUTUMN LEAVES)
oil on canvas;77 by 52cm



"In the present work the vivid luminosity reflected by the foliage in the autumnal bouquet is particularly stunning, and perfectly offset by the more muted background visible through the window beyond. The thick, energetic brushstrokes and brilliant palette capture the beauty of the foliage, punctuated by the clematis seedheads and wild berries." Sotheby's



EIN WILDBLUMENSTRAUSS (A SPRAY OF WILD FLOWERS)
oil on panel ; (16.5 x 26 cm.)
Christie's




Stiefmütterchen und Schmetterlinge,1926
Öl auf Holz, 28 x 37 cm
Dorotheum



STILL LEBEN MIT STIEFMÜTTERCHEN (STILL LIFE WITH PANSIES)



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Together with Tina Blau and Marie Egner Olga Wisinger-Florian was one of the most successful female Viennese painters of the late 19th century. Having initially trained as a concert pianist, a hand injury prompted her – aged 30 - to explore painting as an alternative career in the mid-1870s. After taking private lessons from the landscape painter Melchior Fritsch and studying for three years under August Schaeffer at the Vienna academy, she became a private pupil of Emil Jakob Schindler in 1880. Together with her teachers and co-disciples Marie Egner and Carl Moll, Olga Wisinger-Florian went on study trips to Lundenburg and Goisern, and later to Dalmatia and Montenegro, Italy and Paris. From 1881 she regularly showed paintings at the annual exhibitions mounted at the Vienna Künstlerhaus and later also at the Viennese Secession exhibitions. Work she showed at the Paris and Chicago international exhibitions in the 1890s earned her worldwide acclaim.

Wisinger-Florian's early paintings can be assigned to what is known as Austrian mood Impressionism (Stimmungs-Impressionismus). In her early landscape paintings she adopted Schindler's approach to nature. Her motifs from this period, flowering fields and meadows, tree-lined avenues and gardens in full bloom were strongly reminiscent of her teacher's work. After breaking with Schindler in 1885, however, Olga Wisinger-Florian went her own way, and her depictions of landscapes became more realistic. Her late work is notable for its progressive, vivid, expressionist palette that was very much ahead of its time.

In the late 1880s Wisinger-Florian started specialising in flower still lifes. Her depictions of flower bouquets before a naturalistic backdrop and flower studies within landscapes from this period count among her best paintings.

In the present work the vivid luminosity reflected by the foliage in the autumnal bouquet is particularly stunning, and perfectly offset by the more muted background visible through the window beyond. The thick, energetic brushstrokes and brilliant palette capture the beauty of the foliage, punctuated by the clematis seedheads and wild berries.

http://www.sothebys.com/en/auctions/ecatalogue/2013/european-paintings-l13101/lot.213.html

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Marie Egner (Austrian, 1850-1940)
http://elle-belle10.livejournal.com/1914998.html

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Tina (Regina Leopoldine) Blau -Lang (Austrian,1845–1916)


Marie Egner (Austrian, 1850-1940)-P.2

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Autumn Bouquet
Watercolour



Из архива ЖЖ





In der Pergola, um 1910.







Blumenstück, um 1890
Öl auf Leinwand 15,6 x 22,5 cm



In The Blossoming Bower





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Altes Gemäuer




Partie bei Fiume



Motiv von der Insel Rab





Burg und Dörrofen



Anzbach Arkadenhof



Ziegelbrücke mit einer Steinfigur Mödling 1899







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Léonard Tsuguharu Foujita (1886-1968)-P.5

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Nature morte d'Eté ,1963
signed 'L. Foujita' (lower right)
oil on canvas ; (55 x 46.1 cm.)



Roses, 1958 Lithographie en couleurs sur vélin;Roses,1955



FLEURS
Oil on canvas; 1963




FLEURS: A TWO-PANEL SCREEN




Fleurs (volubilis), 1964



LES FLEURS
Aquarelle et encre sur papier



Tulipes
Mine de plomb et aquarelle sur feuille de croquis




CHRYSANTHEMES
Gouache sur papier



Flowers, Dahlias,1921
Private collection




Les Dahlias. 1921.




Poppies in a Yellow Jug (1917)
gouache, watercolour and brush and black ink on paper 40.9 x 32.8 cm
Private collection





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Alice Pike Barney (1857–1931)-P.8

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Dreamland






Waterlily aka Ophelia (1900) was one of Barney's illustrations for her daughter's chapbook. The model was Barney's niece Ellen Goin.



Lunar,1921



Medusa (Laura Dreyfus Barney)1892




Lucifer (Natalie Clifford Barney)1902




Firelight,1900



The Necklace,1898



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http://www.museumsyndicate.com/artist.php?artist=763
http://it.wikipedia.org/wiki/Laura_Clifford_Barney
http://commons.wikimedia.org/wiki/Category:Alice_Pike_Barney

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Photomasters:Hiroyuki Masuyama (b.1968,Japan)

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©Hiroyuki Masuyama


"Still life, Daniel Seghers No.06", 2013 LED Lightbox



Still life, Herman Henstenburgh





"Still life, Daniel Seghers No.04" 2013



Still life, Daniel Seghers No.05" 2013



Still life, Daniel Seghers No.01 2012



"Still life, Daniel Seghers No.02" 2012




"Still life, Daniel Seghers No.03" 2012




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Still life, Herman Henstenburgh No.01 2013



Still life, Herman Henstenburgh No.02 2013





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Alix Aymé (1894-1989) P.2

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Le Bouquet de Babette
Reverse painting on glass with tempera and gold leaf







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The red vase,1940's,
Lacquer with gold leaf



part 1
http://elle-belle10.livejournal.com/1910895.html

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Young Woman by a Window; A Vase of Gladiolas
Lacquer and gold leaf on wooden panel



A Woman Reading to a Young Girl
Lacquer and gold leaf on wooden panel




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Portrait d’un jeune garçon
Aquarelle sur soie
31 x 26 cm




Portrait d’enfants
Aquarelle sur soie
41 x 31 cm




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http://www.fc-fineart.com/mp.php?rqs=166

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Seasons by Anne-Louis Girodet

Wilhelm List (Austrian ,1864-1918)

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Bild in Weiß Schwarz,1904
oil on canvas;Vienna Museum






La transfiguration de sainte Elisabeth
Quimper, Musée des Beaux-Arts




A Night Fairy



Day and Twilight-Tag und Dämmerung
oil on canvas,126 by 55.5cm
Sotheby's



The Offering
tempera on canvas,162.5 by 82cm.
Sotheby's




L'Offrande ou Miracle des roses
Quimper, Musée des Beaux-Arts





Executed circa 1900, the present work relates to another version of The Offering, in the collection of the Musée des Beaux-Arts de Quimper, France. The latter was lent to the 1986 exhibition Vienne 1880-1938, l'Apocalypse joyeuse, organised by the Centre Pompidou, Paris, and is also illustrated in the exhibition catalogue Le Symbolisme en Europe (Grand Palais, Paris, 1976, no. 96, p. 111). The white roses traditionally symbolise monastic wisdom. The woman making the offering appears to be in a trance. Wearing the robe of an esoteric priestess, her holy status is further underlined by her halo.

Wilhelm List was a pupil of Christian Griepenkerl at the Vienna Academy and, together with Gustav Klimt, a founding member and leading figure of the Vienna Secession in 1897. He published the journal of the Secession, Ver Sacrum, and also executed many designs for this journal. At the turn of the century List's paintings increasingly delved into an imaginary world of fantasy. He took part in all the annual exhibitions of the Secession from the first in 1898 to the last in 1905, when he, together with Klimt and a group of artists around them left the Secession because of misgivings over the commercial policies of their new sponsor, Paul Bacher.
List was one of the closest of Gustav Klimt's followers in the Secession. While close to Klimt in style and subject matter, his symbolist paintings generally tended to be more dreamlike and detached, as evident in the present work.

http://www.sothebys.com/de/auctions/ecatalogue/lot.268.html/2007/19th-century-paintings-including-spanish-painting-and-symbolism-the-poetic-vision-l07103

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A woman in profile
oil on canvas;84 x 40 cm.
Sotheby's




A portrait of Mevrouw Nijhoff-Seldorff, full length
oil on canvas, 183,5 x 65 cm
Sotheby's



Apollon Charmant les Cygnes-APOLLO UND DIE SCHWÄNE
oil on canvas
Sotheby's



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Magnolia



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Flowers in a blue vase
Watercolour, 29 x 25 cm
Private Collection




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Gottlieb Theodor von Kempf Hartenkampf (Austrian, 1871-1964)

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Muata Höck beim Spinnen, 1951



Blumen-detail



Stilleben vor einem Fenster
Die Belauschung




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Mutter des Künstlers, 1908




Little red riding hood
oil on panel,66 x 80 cm



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Die Andacht,Pastel on Paper,45.5 x 44 cm



St. James -Hl. Jakobus




Lilies-(Portrait de femme aux lys)
oil on canvas,113.3 by 58.4 cm
Sotheby's




Die Belauschung
Anfang 20. Jahrhundert
Öl auf Leinwand; 68 × 63,5 cm




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Susannah after her bath




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Damenportrait (+ Herrenportrait; pair), 1909–1910




Sambethe,oil stick on paper
Zigeunerin,Chalk



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Stillleben mit Rosen, Krug und Buch; Blumen





Blumen
Gwmalt mit Wassefarben auf bräunlichem Papier
27,5x35,5 cm




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Kempf Postcard Published by Philipp & Kramer




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Pierre Amédée Marcel-Béronneau (French, 1869–1937)-P.3

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Pierre Amédée Marcel-Béronneau (French, 1869–1937)







PARFUM CARENANTS
coloured chalks,Sotheby's London



FEMME AU PARFUME
oil on canvas;Sotheby's London




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Le songe d'Orphée
aquarelle et gouache
Christie's Paris




ORPHEE ET EURIDICE
oil on canvas 88.5 by 156.5cm
Sotheby's London



Ange au milieu des ruines
pierre noire, aquarelle, gouache et huile sur papier marouflé sur carton,99 x 63 cm
Christie's Paris




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Salomé. 1934.
Oil on panel,Koller Auctions




SALOMÉ
Oil on canvas,54 cm x 65 cm




Salome,1905, oil on canvas,178 by 115cm
Sotheby's London



Painted in 1905, it is likely that Germaine Marchant was the model for Salome. Having fallen deeply in love with her, Marcel-Béronneau painted her obsessively in his pursuit of the representation of the femme fatale. They were married in 1918.



La Datura
oil on canvas 85 by 81cm
Sotheby's London




Gorgone
huile sur toile,72,5 cm, larg. 58 cm
Sotheby's Paris



Diane
oil on canvas,Sotheby's London




"Portrait Of A Lady With A Scarf"
coloured chalks
Sotheby's London



Pergola



CHERRY TREES IN A LANDSCAPE





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Hovsep Pushman (1877 - 1966)-P.4

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My past dreams
oil on panel,Christie's New York



The Redeeming Light;Still Life:Lithograph




When autumn comes
oil on panel,Sotheby's New York



When autumn is here




Celestial Visitant
oil on board,82 × 64.1 cm;Christie's New York





Vanishing hopes,1932
oil on panel,Christie's New York




Oriental Still Life




Forgotten Divinity
Sotheby's New York




A Rare Keepsake (No.57) detail
oil on canvas,27 x 21in





Sacred treasures
oil on panel,32 x 26in



A XVth Century Group
oil on panel,33 x 25in



Rain God
oil on board




Cherished echoes
Color lithograph



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Hovsep Pushman (1877 - 1966)-P.5

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Dreams



A page from Omar Khayyam
Sotheby's New York



Songs from India
Oil on board
John Moran Auctioneers, Inc.



Rose Of Shiraz; Wife Of The Sheik




Reflections
Oil on panel,(21.6 x 27.3 cm)
Private collection



Reflections
Heritage Auction Galleries, Dallas
Oil on panel




Harmony in Silver and Green




A Memento of Old Madrid



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Sören Emil Carlsen (1853-1932)-P.5

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Still Life with Chrysanthemums 1896



Rhages Jar c.1911
The Mandarin Beads, 1915



Still Life with Chrysanthemums 1898



Still Life of Chrysanthemums in a Canton Vase 1893




in an Oriental Vase



Chrysanthemums in a Canton Vase




Spider Dahlias



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